Making Techiques
This page gives some information about how the pottery is made
by Hundred-Aker-Wood Pottery.
Within Hundred-Aker-Wood pottery, I am building up a collection
of kitchenware with each piece individually thrown, that gradually
will be introduced to this website as items for sale throughout
the year. The catalogue of stoneware pottery includes casserole
dishes, soup tureens, serving dishes, soup bowls, cereal bowls,
butter dishes, cheese belles, salad serving bowls, mustard pots,
condiment sets, mixing bowl sets, juicers, vinegar/olive oil jug,
pestle and mortars, salt pigs, spaghetti jars, sets of mugs on tree,
honey pots, jugs of all descriptions and my very own Chinese style
bowls and the Dorset Vertical Chicken Roaster, designed by myself,
made by myself and sold through Paypal on this website by myself.
There is a separate pages about the glazes used, with recipes and examples.
Follow this link.
All pottery produced at Hundred-aker-wood pottery is made from
stoneware clays supplied by Bath Potters. The clays I use are a
Potclays white stoneware with 30% sand, a professional flecked stoneware
produced by Scarva Earthstone, and a Potclays clay with heavy flecking
called Lavafleck. Each clay produces its own identity and characteristics.
With two firings, the first biscuit firing takes the temparuture
to 1000degrees and the glaze firing is taken to 1245 degrees. This
high firing ensures all the pottery is oven/dishwasher and microwave
proof.
Due to the making process and high temperature firing, each pot
is unique and the glaze colour and the pots’ dimensions may
vary slightly This is part of my pottery’s character and only
helps to enhance its ‘hand-made’ quality. Glazing is
unlike mixing paint for it is possible for two firings with the
same glaze to produce quite different results. The atmosphere within
the kiln for each firing can make a big difference to the result
of each firing. The effect is more pronounced in wood and gas firings
but electric firings can also suffer or be enhanced from the variations.
All my bisuit firings are done in a Cromartie top loading kiln
a temperature of 1000 degrees whilst all glaze firings take place
in my larger German built Rohde top loading studio kiln. Rohde kilns
are highly recommended by myself, especially the customer service
of the manufacturers.
I make my pottery on an old kick wheel bought as a cast off from
a Berkshire primary school. It has become a like a second skin to
me as it suits me so well, the position of throwing can make a big
difference the fluid action that you achieve.
I will always keep my kickwheel but recently I purchased a magnificent
portable electric wheel built in Derby by Discus potters wheels.
For someone with limited space I can recommend this wheel highly.
I have recently also purchased 4 Crowley electric wheels for use
during my lessons, here they are - brand
new alongside my new transaport (not so brand new, but still smart
and very useful).
There are separate pages about some of my techniques and materials :-
The making techniques. Follow this link Hand building methods. Follow this link
The Glazes used, with recipes and examples.
Follow this link
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